{"id":1747,"date":"2026-06-30T17:51:49","date_gmt":"2026-06-30T17:51:49","guid":{"rendered":"https:\/\/sites.cortland.edu\/musiclegacy\/?page_id=1747"},"modified":"2026-06-30T17:56:39","modified_gmt":"2026-06-30T17:56:39","slug":"class-of-1986","status":"publish","type":"page","link":"https:\/\/sites.cortland.edu\/musiclegacy\/class-of-1986\/","title":{"rendered":"Class of 1986"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong><u>The Times<\/u><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In the summer of 1985, the entire world was united and glued to their TVs on July 13<sup>th<\/sup>, 1985 when Bob Geldorf of the Boom Town Rats and Midge Ure of Utravox mobilized 1.9 billion viewers in 150 countries for Live Aid.&nbsp; The dual concert performed simultaneously in London and Philadelphia with an estimated 162,000 fans in attendance, raised over $150 million for Ethiopian famine relief.&nbsp; Called the \u201cGlobal Jukebox,\u201d Live Aid changed the world by creating a template for global charity initiatives used today.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">As a follow-up to Live Aid, on September 22<sup>nd<\/sup> 1985, the 1986 Cortland senior class was just settling in for their last year when they were treated to the very first televised Farm Aid concert. &nbsp;During his Live Aid performance in Philadelphia, Bob Dylan said to the audience &#8220;I hope that some of the money that&#8217;s raised for the people in Africa, maybe they can just take a little bit of it, maybe one or two million, maybe, and use it, say, to pay the mortgages on some of the farms that the farmers here owe to the banks.&#8221; Watching on his tour bus was Willie Nelson. He was so moved, he began contacting music friends, John Mellencamp and Neil Young and in just 2 months, they put on the first Farm Aid concert!&nbsp; Dylan performed at that first show with Tom Petty and the Heartbreakers.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">On September 19<sup>th<\/sup>, 1985, Tipper Gore, wife of Senator Al Gore (later Vice President), headed a group of 4 women known as \u201cThe Washington Wives,\u201d pressured the music industry to create a rating system on so-called \u201cporn rock.\u201d A Senate hearing was held on behalf of the PMRC (The Parents Music Resource Center) with a goal to increase parental control over children\u2019s access to music deemed to have violent, drug-related or sexual themes.&nbsp; The group went after Prince, AC\/DC, Twisted Sister, Madonna, Def Leppard, Black Sabbath and Cyndi Lauper. Dee Snider of Twisted Sister, Frank Zappa and John Denver showed up to testify.&nbsp; On November 1<sup>st<\/sup>, 1985, the RIAA (Recording Industry Association of America) agreed to put Parental Advisory labels called the \u201cTipper Sticker\u201d on selected releases.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Before streaming, there was an explosion of home entertainment consumption featuring home movie rentals. On October 19<sup>th<\/sup>, 1985, the very first Blockbuster video store opened in Dallas, Texas.&nbsp; The stores revolutionized Friday night movie nights by offering affordable, immediately available home rentals with massive inventories.&nbsp; At its peak in 2004, the company operated over 9,000 stores across 25 countries and employed more than 84,000 people worldwide. As consumer habits changed due to the introduction of streaming and digital services, the chain was forced to file for bankruptcy and closed all of its stores in 2013 except for one remaining store in Bend, Oregon.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Just as 1986 seniors were starting their last semester at Cortland, students witnessed the devastating explosion of the NASA Space Shuttle Challenger as it unfolded live on television.&nbsp; On January 28<sup>th<\/sup>, 1986, after just 73 seconds after takeoff, the entire world held its collective breath watching the shuttle break up into a plume of smoke and fire. The day of takeoff was an unusually cold day and NASA engineers warned flight administrators that the O-rings could be vulnerable at low temps. The subsequent investigation revealed that the O-ring seal on Challenger\u2019s solid rocket booster, which had become brittle in the cold temperatures, failed. All seven astronauts including 37-year-old Christa McAuliffe, a teacher from New Hampshire, were killed.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A few months later, on April 26<sup>th<\/sup>, 1986, the world once again witnessed a traumatic disaster in the once Soviet Union not far from Kyiv.&nbsp; The Chernobyl Nuclear Power plant had a catastrophic accident when a routine safety test went horribly wrong due to a flawed reactor design and human error. The reactor overheated, causing massive steam explosions that blew the roof off the building and exposed the radioactive core to the open air. The Soviet government tried to keep the accident a secret. However, radiation alarms as far away as Sweden went off, forcing Russia to admit what happened. Around 100,000 people living near the plant were evacuated.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The music of 1985 and 1986 continued to be dominated by MTV which shaped both global music and video trends as well as youth fashion. MTV also had a major effect on radio stations who were scrambling to keep listeners. Many stations were forced to change formats to gain a larger audience while large corporations bought up regional radio stations to consolidate their media footprint and playlists.&nbsp; Cause related singles like \u201cWe Are The World\u201d and \u201cThat\u2019s What Friends Are For\u201d united the world, while synth-pop Brits were topping the charts with hits from Wham and Tears For Fears. The MTV music generation was characterized by sky-high, heavily sprayed hair, neon colors, spandex, and dramatic makeup.&nbsp; Power Ballads from Whitney Houston, Journey and Foreigner relied on soaring vocals and Hip-Hop artists Run DMC and LL Cool Jay broke through to multi-racial audiences.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Notable Events<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Live Aid \u2013 <\/strong>July 13<sup>th<\/sup>, 1985<\/li>\n\n\n\n<li><strong>\u201cDo They Know It\u2019s Christmas\u201d<\/strong> \u2013 The finale of Live Aid from Wembley Stadium in London<\/li>\n<\/ul>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Band Aid - Do They Know It&amp;apos;s Christmas? (Live Aid 1985)\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/Gifrd7ljNL4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>\u201cWe Are The World\u201d<\/strong> &#8211; The finale of Live Aid from JFK Stadium in Philadelphia, PA<\/li>\n<\/ul>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"USA For Africa - We Are The World (Live Aid 1985)\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/00OeznNG4hM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Farm Aid \u2013 <\/strong>September 22<sup>nd<\/sup>, 1985\n<ul class=\"wp-block-list\">\n<li>Willie Nelson talking about what inspired Farm Aid<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Willie Nelson on what inspired the first Farm Aid concert in 1985\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/Ri5BQSFgO9c?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Space Shuttle Challenger Explodes After Takeoff \u2013 <\/strong>January 28<sup>th<\/sup>, 1986\n<ul class=\"wp-block-list\">\n<li>Just 73 seconds after takeoff, the world held its collective breath as the Challenger broke up into a plume of smoke and fire<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Space Shuttle Challenger explosion (1986)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/AfnvFnzs91s?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Senate Hearing \u2013 PMRC<\/strong> \u2013 September 19, 1985\n<ul class=\"wp-block-list\">\n<li>Dee Snider (Twisted Sister) Testifies<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Dee Snider Addresses the PMRC\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/KqxdYaDLZRQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Music of 1985\/1986<\/strong><ul><li><strong>The MTV Generation was in full swing with m<\/strong>usic videos being the primary driver of success for the music business.&nbsp; It was so successful that VH1 was launched in 1985 and programmed with classic rock targeting an older audience.&nbsp; Norwegian trio, A-ha\u2019s video \u201cTake on Me\u201d used a revolutionary technique called <strong>rotoscoping<\/strong> where animators traced over live-action footage and computer animated graphics for the video \u201cMoney For Nothing\u201d from Dire Straits dominated the video waves.&nbsp; Film soundtracks were massive drivers of the charts. Movies like <em>Back to the Future<\/em> (&#8220;The Power of Love&#8221; by Huey Lewis and the News), <em>The Breakfast Club<\/em> (&#8220;Don&#8217;t You (Forget About Me)&#8221; by Simple Minds). And of course hair bands were everywhere, like Bon Jovi and Motley Cr\u00fce who hit their commercial peak in the mid \u201880s.<\/li><\/ul>\n<ul class=\"wp-block-list\">\n<li>A-Ha \u2013 \u201cTake On Me\u201d<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"a-ha - Take On Me (Official Video)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/Q5KLj2a47ow?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Dire Straits \u2013 \u201cMoney For Nothing\u201d featuring Sting<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Dire Straits - Money For Nothing (Official Music Video)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/wTP2RUD_cL0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Huey Lewis and the News \u2013 \u201cThe Power Of Love\u201d from Back To The Future<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Huey Lewis &amp; The News - The Power Of Love (Official Video), Full HD Digitally Remastered &amp; Upscaled\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/qIL6QW4qw2I?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Simple Minds \u2013 \u201cDon\u2019t You (Forget About Me)\u201d from the Breakfast Club<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Simple Minds - Don&amp;apos;t You (Forget About Me)\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/CdqoNKCCt7A?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">o Whitney Houston \u2013 \u201cHow Will I Know\u201d<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Whitney Houston - How Will I Know (Live from Welcome Home Heroes with Whitney Houston)\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/m3-hY-hlhBg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Bon Jovi \u2013 \u201cLiving On A Prayer\u201d<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Bon Jovi - Livin&amp;apos; On A Prayer\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/lDK9QqIzhwk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><u>Graduating Class of 1986<\/u><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">CONCERTS THAT CAME TO CORTLAND 1985\/1986<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>James Taylor \u2013 SAB @PER Ice Arena \u2013 September 27<sup>th<\/sup>, 1985<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>In early 1985, James Taylor had been contemplating retiring from music.\u00a0 He had divorced Carly Simon, had 2 kids and was addicted to drugs. The deaths of John Belushi and Dennis Wilson (of the Beach Boys) at the time, straightened him out and by the time James Taylor played the Ice Arena in Cortland, he was just about to release his 11<sup>th<\/sup> studio album, \u201cThat\u2019s Why I\u2019m Here.\u201d\u00a0<\/li>\n\n\n\n<li>James Taylor &nbsp;\u2013 \u201cOnly A Dream In Rio\u201d<\/li>\n<\/ul>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"James Taylor - Only A Dream In Rio (Ohne Filter, March 27, 1986)\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/1kfIrs624aE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">James Taylor \u2013 \u201cFire and Rain\u201d<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"James Taylor - Fire And Rain (Ohne Filter, March 27, 1986)\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/vSyHjgQJgdU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Dizzy Gillespie \u2013 CALS @ Corey Function Room \u2013 February 2<sup>nd<\/sup>, 1986<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Jazz great John Birks \u201cDizzy\u201d Gillespie, was a musical virtuoso who started playing piano at the age of 4 and by the age of 12, taught himself to play the trumpet and the trombone. His signature bent trumpet originated by accident in 1953 when someone knocked over his trumpet stand, causing the bell of his horn to become badly bent. He liked it so much that he had all of his future trumpets custom-made with the 45-degree upward bend. His somewhat unnatural but iconic ballooning cheeks were the result of decades of intense trumpet playing.\n<ul class=\"wp-block-list\">\n<li>Dizzy Gillespie \u2013 \u201cSalt Peanuts\u201d<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Dizzy Gillespie - Salt Peanuts - LIVE!\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/PF3XC_oEhgU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Otis Day And the Knights \u2013 Spring Fling PER Ice Arena \u2013 May 3<sup>rd<\/sup>, 1986<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Opening for John Cafferty at Cortland\u2019s 1986 Spring Fling was Otis Day and the Knights. The band is actually a fictional band created for DeWayne Jessie, who was a character actor in National Lampoon\u2019s Animal House. In the movie, Jessie lip-synched the songs \u201cShout\u201d and \u201cLama Ding Dong.\u201d The actual vocalist who sang the songs for the movie was <strong>Lloyd G. Williams. <\/strong>&nbsp;In the 1980\u2019s Jessie purchased the rights to the band\u2019s name and created a real-life version of the band with family members.&nbsp;<\/li>\n\n\n\n<li>Otis Day and the Knights \u2013 Animal House &#8211; \u201cShout\u201d<\/li>\n<\/ul>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Shout - Otis Day &amp; The Knights (Animal House 1978)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/MG7KCOO76Wc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>John Cafferty and the Beaver Brown Band \u2013 Spring Fling PER Ice Arena \u2013 May 3<sup>rd<\/sup>, 1986<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>John Cafferty and the Beaver Brown Band got their name from a paint can. And although they had quite a bit of success with radio play and album sales in the 1980\u2019s, the band was virtually ignored by major record companies because of persistent comparisons to Bruce Springsteen and the E Street Band. That is until they scored the soundtrack to the movie Eddie and the Cruisers which produced a Top 7 hit single \u201cOn The Dark Side.\u201d<\/li>\n\n\n\n<li>John Cafferty and the Beaver Brown Band &#8211; \u201cVoices of America&#8217;s Sons\u201d<\/li>\n<\/ul>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"John Cafferty &amp; The Beaver Brown Band - Voices Of America&amp;apos;s Sons (Video)\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/5LJsFvBeOAI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>The Times In the summer of 1985, the entire world was united and glued to their TVs on July 13th, 1985 when Bob Geldorf of the Boom Town Rats and Midge Ure of Utravox mobilized 1.9 billion viewers in 150 countries for Live Aid.&nbsp; The dual concert performed simultaneously in London and Philadelphia with an [&hellip;]<\/p>\n","protected":false},"author":381,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"class_list":["post-1747","page","type-page","status-publish","entry"],"featured_image_src":null,"featured_image_src_square":null,"_links":{"self":[{"href":"https:\/\/sites.cortland.edu\/musiclegacy\/wp-json\/wp\/v2\/pages\/1747","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.cortland.edu\/musiclegacy\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.cortland.edu\/musiclegacy\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.cortland.edu\/musiclegacy\/wp-json\/wp\/v2\/users\/381"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.cortland.edu\/musiclegacy\/wp-json\/wp\/v2\/comments?post=1747"}],"version-history":[{"count":2,"href":"https:\/\/sites.cortland.edu\/musiclegacy\/wp-json\/wp\/v2\/pages\/1747\/revisions"}],"predecessor-version":[{"id":1750,"href":"https:\/\/sites.cortland.edu\/musiclegacy\/wp-json\/wp\/v2\/pages\/1747\/revisions\/1750"}],"wp:attachment":[{"href":"https:\/\/sites.cortland.edu\/musiclegacy\/wp-json\/wp\/v2\/media?parent=1747"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}