{"id":1709,"date":"2026-05-27T17:55:43","date_gmt":"2026-05-27T17:55:43","guid":{"rendered":"https:\/\/sites.cortland.edu\/musiclegacy\/?page_id=1709"},"modified":"2026-05-27T17:55:44","modified_gmt":"2026-05-27T17:55:44","slug":"class-of-1966","status":"publish","type":"page","link":"https:\/\/sites.cortland.edu\/musiclegacy\/class-of-1966\/","title":{"rendered":"Class of 1966"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong><u>The Times<\/u><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">As 1966 graduates were packing to return to Cortland for their senior year, a sonic boom hit the world of music for Bob Dylan because the country\u2019s acoustic folk hero went ELECTRIC at the Newport Folk Festival on July 25, 1965.&nbsp; Backed by Paul Butterfield\u2019s Blues Band, the audience reaction was mixed between folk purists and rockers.&nbsp; Dylan performed electrified versions of \u201cMaggie\u2019s Farm\u201d followed by \u201cLike A Rolling Stone\u201d and marked a musical transition, legitimizing folk-rock as a genre.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Today, 1966 graduates are currently benefiting from the nation\u2019s Medicare program.&nbsp; They can thank President Lyndon B. Johnson who signed the bill into law on July 30<sup>th<\/sup>, 1965.&nbsp; Former President Harry Truman was present at the ceremony and enrolled as Medicare\u2019s first beneficiary.&nbsp; And just a few weeks later, on August 6, 1965, President Johnson signed the Voting Rights Act into law guaranteeing African Americans the right to vote.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">On November 9<sup>th<\/sup>, 1965 at 5:27pm, Cortland students were plunged into total darkness due to the Great Northeast Blackout affecting 25 million people across 9 states in the US and Canada.&nbsp; For 13 hours, the Cortland campus halted all activities with no power to the dorms throughout a cold autumn night.&nbsp; Students relied on candles, flashlights and transistor radios as students held their own dorm-style hootenannies!<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In January 1966, as seniors arrived for their final semester, the Northeastern United States and Eastern Canada experienced a blizzard, from January 29 to February 1st, often referred to as the \u201cBlizzard of \u201966\u201d.&nbsp; The Syracuse\/Cortland area received a record snowfall of 42.3 inches.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">And on the West Coast, the Haight-Asbury district in San Francisco opened its first \u201chead shop\u201d called \u201cThe Psychedelic Shop\u201d on January 3<sup>rd<\/sup>.&nbsp;&nbsp;As a&nbsp;lead-up&nbsp;to 1967\u2019s formal \u201cSummer of Love,\u201d brothers Ron and Jay Thelin, inspired by Timothy Leary aimed to create a community hub for the growing counterculture movement. The store sold items such as Indian paisley fabrics, books, records, incense, posters, and drug paraphernalia including pipes and roach clips.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">On March 4<sup>th<\/sup>, 1966, John Lennon sparked his first controversy in America claiming that the Beatles were more popular than Jesus.&nbsp; This led to Beatles bonfires where fans mainly in the South burned Beatles records and memorabilia.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">As seniors were getting ready for their graduation commencement on June 5<sup>th<\/sup>, 1966, a few weeks prior, on May 28<sup>th<\/sup>, Fidel Castro declared martial law citing a potential attack from the United States continuing the Cold War tensions. Seniors were deeply worried about this new escalation as the current draft started closing loopholes that had previously protected them from fighting in the Vietnam War.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The music of 1965\/1966 brought about a seismic shift from folk and pop to soul, folk-rock, and experimental rock. &nbsp;This was also a time of real change for the Beatles as they went from light pop songs on Help! to studio experimentation and album artistry with the release of Rubber Soul.&nbsp; The Beach Boys and The Byrds released sonic experiments featuring psychedelic-themed songs like \u201cGood Vibrations\u201d and \u201cEight Miles High.\u201d&nbsp; The British Invasion was at its peak with The Rolling Stones, Petula Clark, The Kinks, The Animals and The Who. Carnaby Street in \u201cSwinging London\u201d was at the epicenter of fashion for youth culture.&nbsp; This was also a peak time for Motown-driven hits from The Supremes, Four Tops, The Temptations and Stevie Wonder.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Notable Events<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Bob Dylan Going Electric \u00a0\u2013 <\/strong>July 25<sup>th<\/sup>, 1965, Newport Folk Festival<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">A landmark, controversial moment when Bob Dylan abandoned pure acoustic folk for rock &#8216;n&#8217; roll. Backed by an amplified band, Dylan played a Fender Stratocaster, causing many in the traditionalist crowd to boo, fundamentally altering the trajectory of popular music.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-9-16 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"July 24-25, 1965: Dylan performs at the Newport Folk Festival.\" width=\"422\" height=\"750\" src=\"https:\/\/www.youtube.com\/embed\/vFaMaJY8zjA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>The Blackout of 1965 <\/strong>\u2013 November 9<sup>th<\/sup>, 1965\n<ul class=\"wp-block-list\">\n<li>On November 9<sup>th<\/sup>, 1965 at 5:27pm, SUNY Cortland\u2019s campus was plunged into total darkness due to the Great Northeast Blackout affecting 25 million people across 9 states in the US and Canada<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Blackout\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/lrHVyxwjBUc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>John Lennon Says \u201cBeatles Are More Popular Than Jesus\u201d \u2013 <\/strong>January 3<sup>rd<\/sup>, 1966\n<ul class=\"wp-block-list\">\n<li>John Lennon sparks the Beatles\u2019 first controversy with his comment about the Beatles being more popular than Jesus.\u00a0 This led to Beatles bonfires across the country where fans mainly in the South burned Beatles records and memorabilia.<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"John Lennon Bigger than Jesus-Interviews\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/fZPCjQSoEUg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Music of 1965\/1966<\/strong>\n<ul class=\"wp-block-list\">\n<li>The Beach Boys release Pet Sounds, written and produced by Brian Wilson exploring a psychedelic concept album featuring \u201cGood Vibrations\u201d \u2013 Pet Sounds release date &#8211; May 16, 1966<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"The Beach Boys ~  Good Vibrations  (1966)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/GVMoc1CksEg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Petula Clark \u2013 \u201cIt\u2019s A Sign Of The Times\u201d \u2013 Released January 15<sup>th<\/sup>, 1966<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">After her hit \u201cDowntown\u201d in 1965, Petula Clark was on a chart-topping roll with 15 consecutive Top 40 hits.&nbsp; This is one of them!<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Petula Clark &quot;Sign Of The Times&quot; @60sTube \" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/ORqBcOcUmJA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<ul class=\"wp-block-list\">\n<li>The Temptations \u2013 \u201cAin\u2019t Too Proud To Beg\u201d \u2013 released May 3<sup>rd<\/sup>, 1966<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">The group recorded the song 3 times after Berry Gordy said it wasn\u2019t ready.&nbsp; The producer pushed lead singer David Ruffin to sing higher than his vocal range, pushing him to strain his vocals which made him sweat causing his glasses to slide all over his face during recording<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Ain&#039;t Too Proud To Beg - The Temptations (1967) | Live on Shebang! (HD)\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/QoLhQo0SFbc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">CONCERTS THAT CAME TO CORTLAND 1965\/1966<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Phil Ochs and Tom Paxton \u2013 HPER Moffett Gym \u2013 October 8<sup>th<\/sup>, 1965<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Folksinger Phil Ochs performed at a hootenanny and folk concert with Tom Paxton opening<strong>.<\/strong> The concert was part of the college&#8217;s Lyceum Series. That year Phil Ochs released his highly influential second studio album, <em>I Ain&#8217;t Marching Any More<\/em>. A staunch anti-war activist, this was one of Ochs\u2019most memorable protest songs\n<ul class=\"wp-block-list\">\n<li>\u201cI Ain\u2019t Marching Any More\u201d<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"&quot;I Ain&#039;t Marching Anymore&quot; [2] \u2014 Phil Ochs live in Germany (1968)\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/l_pZaB2dWus?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Judy Collins \u2013 HPER Moffett Gym \u2013 December 3<sup>rd<\/sup>, 1965<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Judy Collins performed on campus headlining a diverse folk bill that also featured The Modern Folk Quartet and The Irish Ramblers. The show was organized by the student-led Circulating Fund Committee (CFC).\u00a0 Collins was supporting her new album called \u201cFifth Album\u201d featuring a collection of traditional ballads and singer-songwriter material from\u00a0<a href=\"https:\/\/en.wikipedia.org\/wiki\/Bob_Dylan\">Bob Dylan<\/a>,\u00a0<a href=\"https:\/\/en.wikipedia.org\/wiki\/Richard_Fari%C3%B1a\">Richard Fari\u00f1a<\/a>,\u00a0<a href=\"https:\/\/en.wikipedia.org\/wiki\/Phil_Ochs\">Phil Ochs<\/a>\u00a0and\u00a0<a href=\"https:\/\/en.wikipedia.org\/wiki\/Malvina_Reynolds\">Malvina Reynolds<\/a><\/li>\n\n\n\n<li>\u201cTurn Turn Turn\u201d<\/li>\n<\/ul>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"JUDY COLLINS - Turn Turn Turn (1966 ).mp4\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/K3kKqfTjsj0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Simon and Garfunkel &#8211; BoG CF @HPER \u2013 March 11, 1966<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>In 1966, Simon &amp; Garfunkel embarked on an extensive North American college tour that included SUNY Cortland.\u00a0 The duo released their second studio album, <em>Sounds of Silence<\/em>, which peaked at No. 2 on the Billboard 200. The album featured the title track and hits like &#8220;I Am a Rock&#8221; and &#8220;Homeward Bound&#8221;<\/li>\n\n\n\n<li>\u201cSounds of Silence\u201d<\/li>\n<\/ul>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"SIMON &amp; GARFUNKEL - Sound of silence   (1967 Live)\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/qn0QBXMYXsM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>The Lettermen \u2013 Spring Weekend Concert \u2013 BofG CF @ HPER \u2013 April 30<sup>th<\/sup>, 1966<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>In 1966, the popular vocal harmony trio <strong>The Lettermen<\/strong> (Tony Butala, Jim Pike, and Bobby Engemann) was at the peak of their success. Known for their tight, romantic close-harmony style, they released several hit albums and maintained a massive touring schedule across US colleges<\/li>\n\n\n\n<li>\u201cTheme From A Summer Place\u201d<\/li>\n<\/ul>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"The Lettermen - Theme from a Summer Place\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/H_hxqjTxycE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>The Times As 1966 graduates were packing to return to Cortland for their senior year, a sonic boom hit the world of music for Bob Dylan because the country\u2019s acoustic folk hero went ELECTRIC at the Newport Folk Festival on July 25, 1965.&nbsp; Backed by Paul Butterfield\u2019s Blues Band, the audience reaction was mixed between [&hellip;]<\/p>\n","protected":false},"author":381,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"class_list":["post-1709","page","type-page","status-publish","entry"],"featured_image_src":null,"featured_image_src_square":null,"_links":{"self":[{"href":"https:\/\/sites.cortland.edu\/musiclegacy\/wp-json\/wp\/v2\/pages\/1709","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.cortland.edu\/musiclegacy\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.cortland.edu\/musiclegacy\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.cortland.edu\/musiclegacy\/wp-json\/wp\/v2\/users\/381"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.cortland.edu\/musiclegacy\/wp-json\/wp\/v2\/comments?post=1709"}],"version-history":[{"count":0,"href":"https:\/\/sites.cortland.edu\/musiclegacy\/wp-json\/wp\/v2\/pages\/1709\/revisions"}],"wp:attachment":[{"href":"https:\/\/sites.cortland.edu\/musiclegacy\/wp-json\/wp\/v2\/media?parent=1709"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}