{"id":1671,"date":"2025-06-27T13:40:11","date_gmt":"2025-06-27T13:40:11","guid":{"rendered":"https:\/\/sites.cortland.edu\/musiclegacy\/?page_id=1671"},"modified":"2025-06-27T13:49:41","modified_gmt":"2025-06-27T13:49:41","slug":"class-of-1960","status":"publish","type":"page","link":"https:\/\/sites.cortland.edu\/musiclegacy\/class-of-1960\/","title":{"rendered":"Class of 1960"},"content":{"rendered":"\n<p><strong><u>The Times<\/u><\/strong><\/p>\n\n\n\n<p>As students returned to their dorms in September of 1959, big things were happening at SUNY Cortland.&nbsp; Not only was a larger student body in attendance, but the campus was undergoing a major expansion.&nbsp; Bishop Hall and Shea Hall were completed to welcome new students as well as Neubig Dining Hall.&nbsp; The college was also headed by a new president, Dr. Donald C. Moffett, who remained in that role until his untimely death in 1963.&nbsp; Upon his passing, the school honored Dr. Moffett by renaming the HPER as the Moffett Center, where so many memorable campus concerts were held. And on October 17, 1959, the very first Cortaca football game against Ithaca College was played giving Cortland a 13-7 victory and possession of the coveted Cortaca Jug!<\/p>\n\n\n\n<p>As the 1950s ended and a new decade was starting, the world outside of campus life was rapidly changing politically, musically and culturally, sparking the beginning of a new counterculture featuring experimentation and the rejection of traditional norms.&nbsp;<\/p>\n\n\n\n<p>With the rise to power of Cuban rebel Fidel Castro in 1959, the USA\u2019s initial response was one of cautious optimism but quickly shifted to hostility as Castro\u2019s policies increasingly aligned with communist ideology and The Soviet Union. And just a couple of years later, the failed Bay Of Pigs invasion eventually led to the Cuban Missile Crisis which put the world at the brink of a nuclear war for 13 scary days.<\/p>\n\n\n\n<p>On February 1<sup>st<\/sup>, 1960, four African American students from North Carolina A&amp;T University, staged a sit-in at the \u201cwhite only\u201d lunch counter at F.W. Woolworth store in Greensboro, North Carolina. Inspired by the non-violent resistance techniques of Mahatma Gandhi and Dr. Martin Luther King, this civil rights protest was considered a success in its quest to abolish segregation. Just 6 months after the sit-in, Woolworth\u2019s in Greensboro was desegregated and currently houses the International Civil Rights Center and Museum.<\/p>\n\n\n\n<p>In 1959, the first Barbie Doll was introduced to American by Mattel.&nbsp; By May of 1960, the FDA approved the world\u2019s first oral contraceptive and within 2 years of its initial distribution, 1.2 million American women were using \u201cThe Pill.\u201d&nbsp; And the fashion world got more daring &nbsp;introducing bold colors to men\u2019s wardrobing leaving their traditional dark suits behind while London\u2019s Mary Quant introduced women to the miniskirt, becoming one of the symbols of the \u201cswinging sixties!\u201d<\/p>\n\n\n\n<p>1959 is credited as the symbolic end of early Rock and Roll with the plane crash deaths of Buddy Holly, Richie Valens and The Big Bopper and regarded as \u201cThe Day The Music Died.\u201d&nbsp; As 1960 began, the new decade introduced more pop-influenced music like Chubby Checker\u2019s \u201cThe Twist\u201d and Percy Faith\u2019s \u201cThe Theme From A Summer Place.\u201d&nbsp; Funk and soul entered the music scene while the British Invasion was just a few years away.&nbsp;<\/p>\n\n\n\n<p><strong>Notable Events<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>The Rise of Fidel Castro \u2013 <\/strong>1959\n<ul class=\"wp-block-list\">\n<li>In 1959, Fidel Castro led the successful Cuban Revolution which overthrew dictator Fulgencio Batista.&nbsp; As Prime Minister, Castro seized military and political power of Cuba, a position he held until 1976.<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"The Rise of Fidel Castro: A Story of the Cuban Revolution\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/javO99tzoKI?start=10&#038;feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Greensboro Sit-In <\/strong>\u2013 February 1, 1960\n<ul class=\"wp-block-list\">\n<li>A pivotal event in the civil rights movement, the Greensboro Sit-In began when four African-American students sat at a white-only counter at the F.W. Woolworth\u2019s store in Greensboro, NC. They were refused service but remained in their seats, sparking a wave of similar protests across the South<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Reflections on the Greensboro Lunch Counter\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/uFQ3ZCAgAA0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><strong>CONCERTS THAT CAME TO CORTLAND 1960<\/strong><\/p>\n\n\n\n<p><strong>Woody Herman Big Band<\/strong><\/p>\n\n\n\n<p>In 1959, Woody Herman\u2019s big band was experiencing a period of transition.&nbsp; By the time they played at Cortland in early 1960, the band was called \u201cThe Swingin\u2019 Herd\u201d which became Woody\u2019s primary big band through the mid 1960s. Woody\u2019s band was known for its imaginative and modern take on big band jazz. At the time he played Cortland, the band featured many young and motivated musicians as a way to keep his big band sound relevant.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Monterey Apple Tree (Live at the Monterey Jazz Festival, 1959)\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/672mCVrnmEQ?start=11&#038;feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>The Times As students returned to their dorms in September of 1959, big things were happening at SUNY Cortland.&nbsp; Not only was a larger student body in attendance, but the campus was undergoing a major expansion.&nbsp; Bishop Hall and Shea Hall were completed to welcome new students as well as Neubig Dining Hall.&nbsp; The college [&hellip;]<\/p>\n","protected":false},"author":381,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"class_list":{"0":"post-1671","1":"page","2":"type-page","3":"status-publish","5":"entry"},"featured_image_src":null,"featured_image_src_square":null,"_links":{"self":[{"href":"https:\/\/sites.cortland.edu\/musiclegacy\/wp-json\/wp\/v2\/pages\/1671","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.cortland.edu\/musiclegacy\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.cortland.edu\/musiclegacy\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.cortland.edu\/musiclegacy\/wp-json\/wp\/v2\/users\/381"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.cortland.edu\/musiclegacy\/wp-json\/wp\/v2\/comments?post=1671"}],"version-history":[{"count":0,"href":"https:\/\/sites.cortland.edu\/musiclegacy\/wp-json\/wp\/v2\/pages\/1671\/revisions"}],"wp:attachment":[{"href":"https:\/\/sites.cortland.edu\/musiclegacy\/wp-json\/wp\/v2\/media?parent=1671"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}